Sure, we put up with a lot of crap over the past year on country radio, but there was still some great country music made, and a small handful even found its way onto radio. Now that we’re done venting our hatred for the bad singles, it’s time to celebrate the good ones. The following is the first of two lists that look back on the greatest and most memorable singles that we heard over the past year.
There are my favorite singles of the year, listed in no particular order, and I want to hear about yours too. Please leave a comment.
Easton Corbin, “Roll with It”
Summer songs are generally made of the same fiber, but Easton’s performance of “Roll with It” exudes more than enough laid-back charm to lift it high above the competition. While country radio was playing the heck out of “Water,” “Roll with It” was a breath of fresh air.
Joey + Rory, “That’s Important to Me”
The fact that country radio consistently ignores this talented duo is nothing short of criminal. A song like “That’s Important to Me” could have gone terribly wrong if not handled this well. But instead of being a trite and meaningless cliche-pile, Joey + Rory go for naturalness and authenticity with much more personal-sounding lyrics. “That’s Important to Me” exemplifies the country sincerity that makes Joey + Rory such a lovable duo, and the soft piano and dobro make it even more of a treat.
Laura Bell Bundy, “Giddy On Up”
Yes, you read that right. This can be a polarizing single. Maybe you loved it; maybe you couldn’t stand it. But I can guarantee one thing: Once you heard it, you didn’t forget it. On paper it might seem like just another typical caught-her-man-cheating song, but Laura totally sells the vocals. Her performance is bold, sassy, spunky, and bursting with charisma and personality. And while things like horn sections in a kiss-off country song might not float everybody’s boat, it’s another sign that Laura is an artist who dares to stand out from the pack. Isn’t that the kind of artistic quality we usually ask for?
Mary Chapin Carpenter, “I Put My Ring Back On”
A gently-rocking tune that sounds reminiscent of Mary Chapin Carpenter’s heyday as a country radio hitmaker. It has a positive message of persevering in a relationship, and being realistic in one’s expectations, delivered through one of Mary Chapin’s finest vocal performances. Besides that, it’s catchy. If this song had been released in 1993, I’m willing to bet it would have been a huge hit.
Dierks Bentley, “Draw Me a Map”
Dierks gives a plaintive and emotional delivery of a great song. The stripped-down bluegrass instrumentation, not to mention the angelic voice of Alison Krauss, adds further to the song’s emotional impact. The song seems even more appealing when you consider the risk that Dierks took in having this song shipped to country radio at a time when the airwaves are dominated by loudness and inanity, thus daring radio to play something different and better.
Sara Evans, “A Little Bit Stronger”
Sara’s performance on this track is toned back, but at the same time layered with aching emotion. The song portrays a woman who is nursing a broken heart, but who has the strength to shake off feelings of self-pity, refusing to act as the victim. With each step she takes in pushing her ex-lover out of her mind, she gets “a little bit stronger.” It’s a winning blend of heartache with progressively dawning optimism.
Jerrod Niemann, “What Do You Want”
There are plenty of reasons to love this single, from the subtle pulsing production to the raw and honest lyrics. But what really makes this single is Jerrod’s vocal delivery, which is fully connected to the tortured emotions expressed in the song’s lyrics, making “What Do You Want” one of the most potent releases of the year.
Taylor Swift, “Fearless”
“Fearless” perfectly captures the elation of a young romance, and this young barely-over-twenty starlet is the perfect one to deliver such a song. The breezy mandolin-laced production makes the song a joyously relaxing experience. When a song like this comes on the radio, you just sigh, lean back, close your eyes, and let it take you to a better place.
Luke Bryan, “Rain Is a Good Thing”
A big thanks to Luke Bryan for giving country radio a much-needed blast of personality with this crazy fun single. All that fiddling would typically reel me in on its own, but quirky and clever lyrics are also a plus. (You can let the kids think that it really is just about rain)
Favorite Singles of 2010 – Part 2 of 2
LeAnn Rimes, “Swingin'”
How would you treat an eighties hit that’s mostly loved for being cheesy and outdated to the point of being charming? LeAnn updates it into a wild and funky jam session. Add a fiery and energetic vocal, and it all just works like magic.
Taylor Swift, “Back to December”
Yes, it’s about a boy. But that doesn’t stop “Back to December” from being one of the most emotionally hard-hitting songs of Taylor’s career. It’s also one of her most personal and openly honest compositions yet, as she lays bear her faults and regrets regarding a painful breakup. While she still harbors a desire to be reconciled to her lover, she is willing to accept the cold hard reality that there may be no going back.
Laura Bell Bundy, “Drop On By”
It’s no surprise than Laura Bell Bundy has strong interpretive abilities – honed on Broadway, no less – and this single showcases such abilities at their strongest. She delivers this longing lover’s plea in a sultry whisper of a performance. Add a genre-blending arrangement that combines country, blues, and jazz, and the result could hardly be finer.
Zac Brown Band and Alan Jackson, “As She’s Walking Away”
A scene plays out in which a young man (Zac Brown) trips over himself in an attempt to converse with a woman. An older and wiser man (Alan Jackson) then offers the encouraging advice “Don’t be falling in love as she’s walking away.” The interplay between the two vocalists makes it seem as if the scene is playing out right before our eyes. The band’s tight harmonies backed by fiddle and guitar only do more to make this such a broadly charming single.
Rascal Flatts, “Why Wait”
Normally, Rascal Flatts would be on the “Worst” list, but this year they were able to trade places with George Strait. “Why Wait” is an infectious throwback to the days when Rascal Flatts could deliver a great pop-country hook like nobody else.
Randy Rogers Band, “Steal You Away”
A great hook is definitely not a bad thing. But when an act can rise above the need for a catchy hook, and instead pull all of the weight with sincerity and great lyrics, the result is something even more special. The Randy Rogers Band’s “Steal You Away” is a shining example of that fact.
Sugarland, “Stuck Like Glue”
The term “ear candy” may sometimes be used in a derogatory manner, but Sugarland’s ditty “Stuck Like Glue” is ear candy in its absolute finest form. It could have been an embarrassing disaster in the hands of anyone less goofy than Jennifer Nettles, but she breathes enough energy and personality into it to make it ridiculously charming and infectious. This is NOT a guilty pleasure. I can say with no guilt at all that I love this song, and consider it one of the best and most memorable singles of 2010.
Little Big Town, “Little White Church”
Little Big Town makes a comeback thanks to their ability to take strong lyrics, add uber-cool production with funky guitar licks and hand claps, and turn it all into a killer performance like this. Bonus points for rhyming “No more chicken and gravy” with “Ain’t gonna have your baby.”
Miranda Lambert, “The House That Built Me”
This is one song that did not top the charts because of the identity of the artist (In fact, Miranda previously had a rather spotty relationship with country radio). It did not top the charts because of some pop-country hook that made the radio gods think it would have wide appeal. Rather, this song topped the charts because it connected with people. Though 2010 was not a stellar year for mainstream country music, the success of Miranda’s “House” was one instance in which a great song and a great performance were given their deserved recognition. Thus, “The House That Built Me” is the song has come to define Miranda Lambert’s career. In later years, when we think of country music in the year 2010, we will think of Miranda’s “The House That Built Me.”
Those were my favorites. Please leave a comment below, and tell me about yours.
Posted by Ben Foster on January 1, 2011 in Commentary